Phoebe Campion is an arts writer, editor, researcher and programmer from London. Her work is broadly interested in the ethical and eco-political aspects of landscape, land-work and its representation in literature, film, music and visual culture. Her writing explores ecologies, extractive industries, feminisms, folk histories and colonial-capitalist-climate relations, with a particular focus on moving image art, experimentalism and interdisciplinarity. Her projects span reviews, critical and companion essays, exhibition copy, festival coverage, introductions and interviews. She is a staff writer for Another Gaze journal, is published elsewhere in MAP Magazine, King’s Review, etc., and collaborates regularly with artists and filmmakers on curatorial and text-based projects. Phoebe currently sits on the programming panel for the SET Film Festival, Peckham, which showcases artist’s, archival and experimental film every November.

Phoebe holds a PhD in Literature, Visual Culture and Political Ecology from the University of Cambridge, where her AHRC-awarded thesis project – ‘Not Infinite Enough’: Experimental British Ecopoetics, Industrial Ecology & Scarcity, 1969-present’ – explored the relationship between literary form and landscapes of ecological exhaustion. She was previously a Visiting Fellow at Harvard’s Art, Film & Visual Studies Centre (2022), and is a member of the British Art Network.